This article first appeared in
vol. 9, nr. 6, September 1998.
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Culbertson
Dissected
Part 4/4: Declarer Play & Defense
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by Jules van Ogtrop
Who was Ely Culbertson? Did he deserve
the idolising veneration our parents and grandparents had for him? These
are the questions Jules van Ogtrop tries to answer in this four-part series
about the famous American bridge player and bridge promotor. Van Ogtrop
bases his account on the records of the 300-deal match played by Culbertson
and his wife Josephine, and their respective partners Theodore Lightner
and Michael Gottlieb, against a strong British team in 1933.
The declarer play and defense of Culbertson c.s. were of an acceptable
level, though never brilliant. Squeezes were extremely rare, and usually
the result of a defensive error, and were often overlooked by Culbertson,
as analysis was not his strong point.
W/both
|
A K 8 7
10 6
Q J 10 2
J 9 8 |
|
Josephine
(North) led the Q against
Morris' 2NT, and she was allowed to hold the trick. Next came four spade
tricks and Morris elected to blank his A.
Now, Josephine switched to a small diamond which, perforce, was won with
the ace, as Gottlieb sacrificed his king. Morris, who had discarded two
clubs from dummy while retaining the diamonds, now ran his hearts causing
Josephine to get squeezed in the minors. This she could have prevented
by leading J, allowing
Gottlieb te keep the K,
the diamond guard. Culbertson hadn't noticed this, or at least, he offered
no comment. |
10 9 2
A Q J 9
A 5 3
A 10 3 |
|
Q 5
K 8 7
9 8 4
K 8 6 4 2 |
|
| - |
J 6 4 3
5 4 3 2
K 7 6
Q 7 |
|
|
Even some obvious lines of play were totally overlooked by Culbertson,
as his analysis of the following board once again shows. At one table,
Tabbush, in an optimistic frame of mind, had opened the East hand with
2
, and the final contract was
4
. This was made after Gottlieb's
trump lead. At the other table, this ensued:
W/both
|
J
A Q 10 3 2
9 5 4
Q 9 7 3 |
|
WEST
Culbertson
-Pass
2
Pass
|
NORTH
Beasley
Pass
Pass
Pass |
EAST
Lightner
1
2
|
SOUTH
Mathieson
Pass
Pass
|
8 7 4
8 7 4
A K 8 7 6 3
5 |
|
A K Q 9
6 3
9 6 3
-
A J 6 2 |
|
|
|
|
| - |
10 5 2
K J
Q J 10 2
K 10 8 4 |
|
|
|
|
|
Mathieson led an inspired
K
followed by the jack, which Beasley overtook. The
A
was cashed and the subsequent trump switch did not show much imagination.
Lightner cashed the
A and
ruffed a club in dummy. He discarded two clubs on the top diamonds and
claimed the contract.
Afterwards, Culbertson complained bitterly: "If only I had read my
own Blue Book better, I would have raised once more." A bit of promotion
was never a bad thing, of course, but he apparently didn't realise that
4
would have gone down if Beasley
had played a fourth round of hearts, thereby promoting the
10.
Culbertson's own declarer play left something to be desired:
S/both
|
J 4 2
10
Q J 10 8 4 3
Q 6 2 |
|
Following
a 1 -opening by Domville (South),
Culbertson (West) had ended up in 4 ,
although 4 would have been easier.
Domville cashed his top clubs and switched to his singleton diamond. Culbertson
cashed the A and noticed
the 10 drop, which should
have put him on the right track. He next established dummy spades by ruffing
once, and played the K.
Despite his name, Domville proved not to be that 'dumb' after all, because
he refused to ruff. [In Dutch, 'dom' = stupid, dumb - ed.] |
10 6
A K 9 4 2
A K 7 2
8 3 |
|
A K 9 8 5 3
Q 7 6
9 6
7 5 |
|
| - |
Q 7
J 8 5 3
5
A K J 10 9 4 |
|
|
Culbertson played another diamond and if he had ruffed with the
Q,
he still could have made his contract. He plays a spade and discards his
last diamond, or, if Domville ruffs, he overruffs and ruffs the fourth
diamond low. Domville could overruff, but that would be the defense's last
trick. Culbertson didn't see any of this and he ruffed the third diamond
low, Domville overruffed and returned a trump. He next ruffed dummy's
high spade with his last trump and Culbertson was left with a losing diamond.
Culbertson could have made life a lot easier for himself if he had pulled
trumps by playing a second round of trumps to the
Q,
then the proven trump finesse followed by the
K.
After ducking a round of spades that suit is established. Culbertson acknowledged
that he could have made the contract 'double dummy'. He didn't say how.
It's not unfair to say that he had gone down 'double dummy'. At the other
table, Morris had also failed to make his 4
-contract,
but the record doesn't show how.
Can you imagine that, at the time, the grapevine whispers said that
Josephine was a better player than her husband? The following deals do
not confirm this view, however.
E/neither
|
8
K 10 8 7 6 4
A 9 8 7 5 2
- |
|
WEST
Morris
-
Pass
Pass
Pass
Double
Pass
|
NORTH
Josephine
-
2
3
5
Redouble
|
EAST
Tabbush
Pass
Pass
Pass
Pass
Pass |
SOUTH
Gottlieb
1
3
4NT
5
Pass
|
K 6 4 3
Q J 9 2
K 3
6 4 3 |
|
9 7 5
-
Q J 10 6 4
A 10 9 7 2 |
|
|
|
|
| - |
A Q J 10 2
A 5 3
-
K Q J 8 5 |
|
|
|
|
|
4
had gone down at the other
table where Mathieson embarked on a cross-ruff which was doomed to fail.
Josephine elected to set up the clubs. She, too, went down and was severely
scolded by her husband. And finally, a great mystery:
E/neither
|
-
A K Q J 10 7 5
A J 8 7 6
8 |
|
Josephine
(North) and Gottlieb had reached 6
against Morris (West) and Tabbush, who led the Q.
Josephine ducked and ruffed the J
continuation. The only thing we know is that she, like Beasley at the other
table, went one down, while Culbertson didn't consider it important to
explain how that could have happened. Perhaps she tried to ruff a diamond,
even though that couldn't be the percentage line. It's much better to run
the hearts, putting the opponents under great pressure. That leaves dummy
with AK, K4
and K. Then over to the K,
and on the lead of the second high spade West has to blank his Q
as he has to keep the A. If
East had started with Q-doubleton,
that too would have become apparent. |
7 4 3
9 2
Q 10 9 5
A 9 6 5 |
|
Q 9 5 2
8 3
3 2
Q J 10 4 3 |
|
| - |
A K J 10 8 6
6 4
K 4
K 7 2 |
|
|
-
That line (the show-up squeeze) may have been rather difficult, but
it does show that, at the time, the more complex endings were not recognized
- not by Josephine, at any rate, and certainly not by her husband in his
commentary.
Our conclusion must be that a moderately talented comtemporary pair
would not perform below the level of the champions of those days as far
as declarer play and defense are concerned. It would have wiped the floor
with Culbertson c.s. in the bidding, even after disregarding the effects
of pre-emptive action, which was a rarity then. It would have been satisfying
if, in doing so, they could have taken revenge for the inferiority complex
Culbertson has given our ancestors.*
You may wonder to what extent he has developed further after 1933. His
distaste for notrump openings lessened somewhat, but for the rest he remained
quite rigid. Even as late as the fifties, he didn't use Stayman, and he
considered Blackwood inferior because it only asked, and did not promise
anything.
Nevertheless, he deserves our great admiration, despite his being knocked
off his pedestal in this series. His promotional talents have resulted
in increasing the world-wide popularity of tournament bridge, on
a scale that has never been matched by anyone else. Without his activities,
the status of bridge might not have grown beyond that of canasta. Which
is why he deserves our eternal gratitude.
**********
*For example: 'Variable card evaluation requires mental processes
of such complexity, that further study was necessary in order to find a
simple and clear method of exposition of this subject, which, even to the
expert, remains a mystery that takes places in his subconcious mind.'
'There can be no doubt that variable card evaluation is the most
important principle ever discovered in bridge.'
'Until now, and only after years of trial and error, some (relatively
few) experts have succeeded in clearly stating the train of processes that
take place in their minds.'
'Variable card evaluation is the quintessence - one might say the
philosophy - of bridge for every expert.'
What did the maestro mean by 'variable card evaluation'? Nothing
more or less than, when evaluating one's hand during the auction, one has
to take into account how well (or badly) the two hand of the partnership
fit.
Biographical sketch
 |
Ely Culbertson was born in 1891 in Romania,
the son of a Russian mother, and American father who worked as mining engineer
in the Caucasian oilfields. The family returned to the United States after
his highschool days, but his academic career didn't flourish, neither at
home (Yale, Cornell), nor abroad (Sorbonne, and political science at the
university of Geneva) . Nevertheless, he had become quite erudite through
self-education, particularly in linguistics: he was fluent in Russian,
English, French, German, Czech, Spanish and Italian. In addition, he could
read Slavonic, Polish, Swedish and Danish/Norwegian, and also the classical
languages Greek and Latin. After the eastern European family possessions
were lost as a result of the 1917 Russian revolution, Culbertson made his
living playing cards, at first in Paris and other European cities, and
later in the U.S., following his return in 1921. Two years later he married
Josephine Murphy, one of the best known New York bridge teachers, and with
whom he formed a successful (auction-)bridge partnership.
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With the advent of present-day bridge - from 1926 - the Culbertsons
gradually managed to overshadow the established authorities (Work, Whitehead,
Lenz, etc.) through their articles, lessons, lectures, bridge magazine
(The Bridge World, 1929), syndicated newspaper columns, and above all,
the 'Culbertson system' through his books (Blue Book, 1930; Red Book, 1933;
Gold Book, 1936), which attained the status of 'bridge-bibles'. Famous,
too, were the matches between his team against those of his compatriots
(Lenz, 1931-32; Sims, 1935) or the English (1933 and 1934), all of which
were won by the Culbertson team. Showman Culbertson made sure these events
received the greatest possible amount of publicity, not in the last place
as a result of his extravagant lifestyle (five residences, a private
brand of cigarettes - at seven dollars a pack, a substantial daily wage
in those days -, invariably caviar with his tea, and special trips to Italy
for the purpose of purchasing neckties), and eccentric behaviour towards
opponents. In the match against Sims, after Culbertson had thought for
15 minutes as declarer, Sims finally asked in exasperation: "What the devil
are you thinking about, professor?" Culbertson's reply: "I'm trying
to determine whether I will be going two or three down."
His system left a lot to be desired by today's standards - which
also says a lot about the methods of his opponents - but his contributions
to the game of bridge are very substantial, nonetheless: bonuses for games
and partscores, the effect of distribution on hand evaluation, the limited
notrump bid, the concept one-over-one forcing, bidding a four-card suit,
the strong two, the ace-showing 4NT, asking bids, grand slam force, the
jump bid and principle of new-suit-forcing (which he later rejected again).
He also devised the vulnerability markings on the duplicate board.
In 1938, as the war was approaching, he lost interest in bridge and
devoted his energies to promoting world peace. Culbertson and Josephine
(who was eight years younger than her husband) had two children, Joyce
and Bruce (affectionally nicknamed Jump Bid). They divorced in 1937 but
maintained their business relationship. He died in 1955 of a combination
of a cold and emphysema (probably related to his cigarettes). Josephine
died a year later, of a stroke.
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